Then, earlier this year, she donned an electric-blue bubble dress and a rust-colored puffy wig, and took to a very different kind of stage than she’s used to: The New York Hall of Science, where she spent a month-long residency doing multimedia concerts for adults and tech-science-music workshops for public-middle-school students. “I was kind of thinking of me when I was, like, 8 and what would be the best thing that could happen to me in music school, and the whole thing is kind of designed around that format,” Björk says.
The kids learned rudimentary music theory, played with the apps, then started creating their own songs. Björk’s work paired perfectly with the Hall of Science’s installations—her track “Moon” corresponded to a “Search for Life Beyond Earth” exhibit, for example—so that children could follow their interests to discover bigger ideas. Her audience cheered in their own way, especially after tapping a screen to make a Tesla coil spark. “I am Thor!” shouted a gaggle of 13-year-olds.
HOW BJÖRK TURNED ART INTO EDUCATION